"Girl Waits With Gun", Amy Stewart
Sometimes the tagline 'based on a true story' is all it takes to conjure memories of Fargo into existence, sometimes however it provides the root of something rather different, if every bit as enjoyable.It would be all to easy to describe Amy Stewart's retelling of Constance Kopp's battle with Henry Kauffman as gentle 'cozy crime', an impression perhaps conveyed by The Guardian's endorsement of it as a 'marvellous romp', and on some levels that's exactly what it is. The language encourages you to smile throughout - with characters described as having "all the girlish charm of a boulder" and Constance wistfully describing her aspirations as "All I ever wished for was a good clean job in an office and a salary that would allow me to purchase a cabbage if I wanted one, which I didn't think I would."
However the automobile accident that gives rise to the central path of the novel in fact opens up what is a much richer social commentary on the sexual politics of the early 20th century. Constance's sister Norma opines that self propelled vehicles are a path to lawlessness and social chaos, but in actual fact the cracks in social cohesion are already there in the countryside near New York in 1914, and have been for quite some time.
Stewart's use of language, while consistently entertaining is still capable of evoking the deeper, more challenging level of women's place in the society of the day. While never explicitly describing the horror of Erik Larson's The Devil in the White City Stewart's sparse language concerning the seduction technique of Singer sewing machine salesmen and the hinted dread of when a young girl is caught on her own by the river by two men lingers with you, and as a male reader unsettles, in a way it probably should.
I thought for a while about what to title this blog post, considering for a while riffing around the original Swedish for The Girl with the Dragon Tattoo, but ultimately I thought that Constance Kopp, were she in the late 20th century would be a Kristen Hersh or Tanya Donnelly figure, so hat tipping to Throwing Muses and Hook in Her Head from 1991's The Real Ramona, I figure she's transcended needing to be a man to have a gun - and ultimately that's somehow shown to be a good thing.
Disclosure: A review copy of Girl Waits with Gun was provided by Scribe Books.
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