previously on this blog, I picked up Mark Gimenez's latest legal thriller when passing through Heathrow a couple of weeks ago. There's something fitting about this, I first encountered Gimenez at the same location, at Terminal 5, two years ago, when a touch frustrated at not being able to find an airport edition of Stuart MacBride's "Flesh House", I instead made do with "The Perk", so beginning my engagement with his own brand of Texan legal fiction.
Oft derided as being derivative of John Grisham, there are undeniable similarities between the two authors. They both deal with lawyers, they both predominantly write about the Southern United States, and deep down they're telling stories that are courtroom dramas. That said, I've recently found myself lacking some enthusiasm for Grisham, while "Accused", just like "The Perk" two years ago, was started on the short flight out, and finished by the time the BA Airbus pushed back for the flight home the following day.
Somehow Gimenez paints a picture that feels deeper than that we get with Grisham. The characters are more appealing, the locations spark more questions, and critically I find the stories grip me more. That this is more a reflection of a certain jadedness with Grisham and the relative newness of Gimenez is possible, but right now a new Gimenez has me reaching for the shelf much more than a Grisham does.
So, what's "Accused" really like? Set predominantly in Galveston it revisits the career of Gimenez's first protagonist, A. Scott Fenney from 2006's "The Colour of Law", tackling the intriguing prospect of defending his estranged wife for the murder of the professional golfer she left him for. It's a convoluted premise, and results in a convoluted plot, but it's told with aplomb, and really importantly holds its nerve and retains its ability to surprise.
One key historic area of weakness is his writing has been addressed. Children always feature strongly in Gimenez's writing and "Accused" is no different, however this time around he's managed to write them appropriately. They still have opinions, but these now are those that are credible for their age rather than strangely offering advice and opinion a long way beyond their years. This is a small point, but important, in a book like this you need to be carried along by the pace of the story and any moment where a character jars can lose critical momentum; in previous works the questions raised by the preternaturally mature children broke this flow, now they sit much more fittingly within the novel.
Thinking about "Accused" with the benefit of what hindsight a couple of weeks post reading grants me, I'm coming round to the idea that this might be his best book to date. "The Perk" may have had a more complete plotline and somehow more appealing setting, but there are times when "Accused" teeters on the brink of almost being "12 Angry Men". It's absorbing, not ridiculously far fetched, and by the end does leave you nodding sagely in almost grudging admiration at having been played.
It's probably telling that I enjoyMark Gimenez's books most when I'm on the road. 'Airport novel' has become a pejorative term, but they serve a purpose that I for one am really grateful for, and I think "Accused" transgresses this classification into something a good bit more thought provoking.
Yes, I'd still choose him over Grisham when presented with the two of them on the shelf.